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November 12, 2025

Decoding the Australian reader: A writer’s guide to connection

Award-winning author of romance and women’s fiction, and co-host of podcasts Reading Between Deadlines and Dear Rach & Soph, Rachael Johns, looks at the key takeaways from Australia Reads’ Understanding Australian readers report, and considers how authors can use the findings to connect with readers.

As a writer and someone who believes reading is one of the most powerful ways to feel connected to the world and other people, I read Understanding Australian readers: Behavioural insights into recreational reading – a joint report by Australia Reads and Monash University’s BehaviourWorks Australia – with great interest.

Despite the rise of BookTok, which makes it seem like reading is booming, the ABC recently reported that Australians are reading less than ever before. Reading takes a back seat to streaming, scrolling, and the distractions of modern life. But if we look at the results of the Understanding Australian readers survey, it’s not all doom and gloom. There’s plenty that authors can learn about how to connect with new readers and encourage more people to pick up a book again. 

The research, based on 1,622 respondents, examined attitudes and behaviours around reading and identified six segments – four groups of Readers and two of Non-Readers.

As authors, we identify most with Avid Readers (22.4%) and Engaged Readers (30.6%). These are people who read daily or regularly, and most of our social media followers likely fall into these categories, which means we’re preaching to the choir.

It’s the other categories I find most interesting and thought-provoking when it comes to how to market and promote ourselves and our books. Aspirational Readers (14.7%) read infrequently but want to read more; Ambivalent Readers (14.8%) aren’t sure if they enjoy reading and don’t prioritise it; Lapsed Readers (7.1%) used to read more and enjoyed it but rarely read now; and Uninterested Non-Readers (10.4%) don’t read for recreation and have little motivation to start.

If we take away the Ambivalent Readers and Non-Readers, we’re left with 74.8% of people who have a positive relationship with reading, many of whom want to read more. That’s exciting! Our job as authors is to entice those people to try our books and rebuild their reading habit.

Rachael Johns
Rachael Johns: Image supplied by author

The question is: how?

Publishers put so much weight on social media (e.g. BookTok, Instagram, and Facebook), yet the follower-to-sales ratio is minimal. Engagement rates hover below 5%, and only a fraction of that engagement ever converts to book sales. There may be exceptions with viral posts, but when a book sells because of social media, it’s book lovers driving it rarely the author.

It’s also harder than ever to be seen on social platforms. My feed is mostly ads and influencers with millions of followers, which is why it’s time to start thinking outside the box when it comes to marketing and promotion. The Understanding Australian readers report offers great insight into how we might mix things up – not just to reach die-hard fans, but to connect with new and Lapsed Readers.

I believe the key to bringing more Australians back to books lies in creating community and reaching Aspirational and Lapsed Readers through non-bookish channels, the places they already spend time – online groups, lifestyle newsletters, podcasts, and events.

Think about where your ideal reader spends time, both online and in person. I write general women’s fiction and romance, so my audience is primarily adult women juggling careers, families, and a million other commitments. That’s why I’ve started experimenting with Pinterest. Many of these women might not read as much as they’d like, but they’re on Pinterest searching for recipes, craft ideas, and inspiration. While they might not be actively looking for a book, we know they love stories and want to read, so the goal is to meet them where they are and put our books front and centre in their minds.

That also means thinking beyond traditional book spaces. Seek out podcasts that align with the themes or life stages you write about. For my latest release, for example, I’m chatting with The Midlifers – not a book podcast, but one that speaks directly to women my age who enjoy a little nostalgia.

And when it comes to events, don’t limit yourself to libraries and bookshops. Pitch yourself for speaking opportunities at business breakfasts, community clubs, or special occasions like International Women’s Day – anywhere you might reach potential readers who want to read more but don’t typically attend book events. When you make a genuine connection with a person, they’re much more likely to pick up one of your books.

Another idea is to partner with brands or small businesses that already connect with your target audience. Sally Hepworth often collaborates with lifestyle brands and recently did a video chat about her latest book with a nail polish company while getting her nails done. These partnerships can create authentic visibility and help your book reach readers who might never step into a bookshop.

Start a book club in your local area or online. I’ve run one on Facebook for almost eight years – now nearly 7,000 members strong – and we host an annual in-person retreat for over 100 readers. Through this group, friendships have formed and even non-readers have joined after hearing how welcoming it is. Book clubs are perfect for aspirational readers who want to read more but struggle to find the time. Make it social, make it about community, and people will make the time.

We also need to model reading. Wherever you go, have a book with you – read on planes, in cafés, in waiting rooms. Remind those Lapsed Readers how much fun it is to lose yourself in a story. Host a reading party with friends – yes, that’s a thing – and celebrate the simple joy of slowing down with a book.

If there’s one thing the Understanding Australian readers report makes clear, it’s that readers haven’t disappeared – they’re just distracted. To reach them, we must step out of our book bubbles and take our stories to places where life actually happens. We need to stop chasing algorithms and focus on connection. That’s how we remind people what they’ve been missing – and bring Aussies back to books.

About Rachael Johns

Rachael Johns was once (briefly) an English teacher, before turning her attention to writing – and never looking back. She now writes award-winning romance, women’s fiction, and the occasional awkward text.

Her novel The Patterson Girls won the 2016 ABIA for General Fiction, and she’s a two-time winner of the Romance Writers of Australia RUBY Award.

When she’s not writing, Rachael can be found hanging out with her adorable Sheepadoodle, listening to audiobooks, or fuelling her latest obsession – reformer Pilates. She lives in the Swan Valley with her husband, two of her three sons (the other has flown the nest), and tells herself she’ll read more non-fiction every year – but let’s be honest, the novels always win.

Rachael is the co-host of two podcasts: Reading Between Deadlines and Dear Rach & Soph, and also runs the vibrant Rachael Johns Book Club on Facebook.

You can find her at www.rachaeljohns.com or subscribe to her Substack, Pink Ink, where she shares behind-the-scenes bookish thoughts and writer life.